Unapologetic Reviews

I have always thought of Persuasion as a slightly sad book, even before I started reading it. It is Jane Austen ’s last completed novel, and it carries that quiet finality with it. There is a story I once heard, and I think about it every time. None of her books were published under her name while she was alive. First it was “By a Lady”, then “By the Author of Sense and Sensibility”. Her name never appeared. When Persuasion was finally published, together with Northanger Abbey , there was a foreword explaining that the author had died, written by her brother, Henry. I always imagine a reader at the time, happily buying a new book by their favourite writer, opening it with excitement, and then learning in that moment that she was gone. That was also the moment when they learned her name. That image never quite leaves me. The book itself is one of Austen’s shorter works. The audiobook runs about eight hours in full, which makes it feel almost slight next to something like Emma . Yet des...

Emma by Jane Austen is the fourth novel I have started for my self imposed Year of Austen . A year that was meant to be 2025 and is very clearly bleeding into 2026.  After abandoning Mansfield Park out of sheer boredom, I decided to change tactics. I listened to Emma as a full cast audio drama , complete with background music and sound design, and that decision made all the difference. I wanted to enjoy myself again. At its core, Emma is a social comedy about confidence curdling into arrogance. Emma Woodhouse is twenty one, wealthy, clever, and comfortably installed as the centre of her small community. She is unmarried, not particularly interested in changing that, and sees herself as a benevolent organiser of other people’s lives. She holds court. People defer to her. She assumes she understands everyone better than they understand themselves. It is the perfect setup for mistakes, and Austen wastes no time letting Emma make them. Emma’s self appointed role as matchmaker give...

Moonstorm by Yoon Ha Lee is a young adult space adventure that I wanted to love. I really did. I started it back in April, stalled hard, eventually finished it months later, and in the end settled on a reluctant two stars. The premise hooked me immediately. A girl growing up in a marginal colony, outside the reach of a vast empire; an attack that destroys her life; an orphaned survivor who reinvents herself and aims for something dangerous and prestigious. Mecha pilots . Imperial power. Rebellion simmering at the edges. On paper, this is exactly my kind of book. And the early chapters deliver. The opening has momentum, emotional stakes, and a sense of place. I was invested. Then the book shifts. Once the story moves into training and institutional life, the tension drains away. The plot becomes rigid and predictable, and there is one extended section where you can see the outcome from kilometres away. It drags. It really drags. Page after page of waiting for the inevitable, wishing t...

Mistletoe Murder by Leslie Meier is a small-town Christmas mystery . First published in 1991, it comes from a world without mobile phones , and that matters more than you might expect. There are moments where the modern reader instinctively thinks, just call someone, just text, just check, only to remember that none of that exists yet.  I experienced this as an audiobook, and unfortunately that had a noticeable impact on my enjoyment. The narration is by Karen White , and it is not very good. At first I genuinely wondered whether I was listening to a poorly edited AI recording, because the delivery is full of awkward pauses in the middle of sentences. Words are separated strangely, and then I realised the narrator just had to jump to the next line on the page, resulting in readings like blue… sweater. The rhythm never quite settles, and it repeatedly pulls you out of the story. That issue is compounded by a recurring structural choice in the book itself. Each chapter opens with a...

Doctor Who: 10 Days of Christmas is a festive anthology of short Doctor Who stories, all set around Christmas in one way or another. I listened to this as an audiobook , which comes in at around six hours, making it an easy, compact listen. The kind of thing you can dip into over a few evenings in December without any commitment stress. The structure is straightforward. Ten short stories, quick to establish their premise and quick to resolve it. That pacing works well in audio form. None of the stories overstay their welcome, and there is a nice variety of settings. Alien planets , spaceships , strange workplaces, including one story centred around a Christmas factory . On paper, that variety sounds ideal, and in terms of pure Doctor Who flavour, it largely works. The problem is the Christmas element itself. While every story technically includes Christmas, the level of integration varies wildly. In some cases, Christmas is central to the mood and the events. In others, it barely exi...

Murder, She Wrote: A Killer Christmas is one of those books I picked up with a very clear purpose. I wanted something seasonal, something Christmassy, and definitely not a romance. I tend to gravitate towards Christmas mysteries in December, and this seemed like a safe bet. After all, it stars Jessica Fletcher , the beloved amateur sleuth from the long-running TV series Murder, She Wrote, and it promises murder in Cabot Cove at Christmas. On paper, this should have been perfect. The story is set in Cabot Cove during the holiday season, but here is the first odd choice. It does not begin at Christmas. It begins at Thanksgiving . From there, the book spends an extraordinary amount of time on preparations for a large, multi-day Christmas festival . Committees are formed. Meetings are held. People sign up for tasks. Schedules are discussed. Decorations are planned. You are there for all of it. Every step. Every organisational detail. At first, this is actually quite pleasant. There is s...